“It was built to be a social experience from the ground up and there’s no doubt that visiting the Land of the Dead with friends elevates the fun.” “The multiplayer experience is where Coco VR really comes to life,” said Alex Henning. Players are encouraged to experience Coco VR on their own or with up to three friends through each of the activities.

“So instead of just doing a narrative short of the film, we designed an active experience that gives users the opportunity to visit many of the beautiful locations in the film, including taking a gondola ride and enjoying gorgeous views of the surrounding city.”Īs well as experiencing the world hundreds of feet above the city – courtesy of an Oculus Rift headset – players experience the vibrantly colored Land of the Dead as they wander through a series of mini-experiences that include a costume shop, an art gallery, a cinema, a photo booth, and a musical performance.Ĭoco VR – like Magnopus’ Blade Runner 2049: Memory Lab – is nominated for an Emmy this year in the Outstanding Original Interactive Program category. In Coco VR, Magnopus and Pixar combined their creative talent and technical wizardry to transport players into Pixar’s beautiful vision of the Land of the Dead as seen in their animated film Coco. “We set out to both explore the creative opportunities of the medium as well as push the technology to its limit,” said John Halstead, Pixar’s Supervising Technical Director. “Making amazing VR content is not the same as making films, TV or games.

“Developing for VR is fundamentally different from creating VFX for traditional films or video games,” explained Lap Luu, CTO. They delivered some of 2017’s most impressive VR experiences in Mission:ISS and the Emmy-nominated Blade Runner 2049: Memory Lab, gaining valuable expertise in the process. Now we’re building experiences and technology that allow people to become an active part of the story, whether it’s a mixture of the physical and digital worlds or a completely imagined world.” “We knew we needed to put audiences inside those experiences, but that we’d never be able to do it within the existing system, so we left to start fresh. We saw directors struggling to engage audiences, and audiences looking for more than a theater or TV could provide,” said Ben Grossmann, CEO. “We started Magnopus because films were hitting a ceiling and we were running out of impossible spectacles to wow people with. For well over a decade, the ultra-talented team at Magnopus has been bending creative technology to their wills to create impressive visual feasts. Magnopus founders Ben Grossmann, Alex Henning, and Rodrigo Teixeira have credits in some of the most effects-heavy film productions in the last decade, including the Oscar-winning Hugo, Star Trek: Into Darkness, The Amazing Spiderman, Alice in Wonderland, and The Jungle Book.

Pelicula coco espanol